Parinayam melded a hard hitting story/screenplay, with a taut direction and perfect characterisation. Parinayam won four National Awards (Best Film on Social Issues,īest Screenplay, Best Music Director, and the Special Jury Award forīest Cinematographer) and several State Awards. ![]() His score was complemented by Johnson's (a well-known music director in his own right) score in the background. Music director Ravi (known and loved by Malayalis as 'Bombay' Ravi) won a well-deserved award for his music. He is that scariest of individuals - one driven by personal faith to condone, and commit, atrocities, in the name of customs and traditions. ![]() He firmly believes that he is conducting the trial in accordance with custom that it is incumbent upon them to follow tradition, and that, by not doing so, they are shaking the very foundations of their community. Thilakan etched out the small role into a multi-dimensional one. His pride at having conducted seven other vicharanams, his arrogance in promising to extract a confession from the accused, the glee with which he insists upon her answering questions to which he already knows the answers. ![]() A 'character' artiste par excellence, he is the slimy smaarthan to the core. One cannot not mention the late Thilakan. His fear and anger were understandable, if not acceptable, and Vineeth played the role with finesse. Not exactly known for his acting skills, he impressed as Madhavan, the Kathakali artiste.
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